I am my own muse, a century of women in photography
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Sondra Meszaros, Pink Perch, 2021
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Michelle Forsyth, Improvisation 1: Yellow Pants 2, 2020
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Michelle Forsyth, Improvisation 1: Yellow Pants 1, 2020
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Michelle Forsyth, Orange/Green/Purple Stack, 2020
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Michelle Forsyth, Grey Objects, 2016
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Sondra Meszaros, strange spot #109, 2018-2019
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Sondra Meszaros, strange spot #84, 2018-2019
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Sondra Meszaros, strange spot #42, 2018-2019
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Barbara Astman, Untitled, 1978
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Sondra Meszaros, Damned #10, 2019
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Sondra Meszaros, Damned #1, 2019
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Barbara Astman, Untitled, 1978-79
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Barbara Astman, Untitled, 1978-79
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Barbara Astman, Untitled (Ian), 1978-79
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Barbara Astman, Untitled (Nancy), 1978-1979
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Barbara Astman, #10, 1994-1995
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Barbara Astman, Untitled, I was thinking about you..., 1979
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Barbara Astman, Untitled , 1981
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Barbara Astman, Doll Piece, 1973
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Michelle Forsyth, Improvisation 3: Herringbone Jacket #1, 2021
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Michelle Forsyth, Improvisation 3: Herringbone Jacket #5 (reversed), 2021
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Dorothea Lange, Mended Stockings, San Francisco, 1934
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Sondra Meszaros, strange spot #70, 2018-2019
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Sophie Taeuber-Arp, Sophie Taeuber-Arp derrière sa tête Dada, 1920
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Barbara Astman, Dancing with Che #9, 2002
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Claude Cahun, Objet sous globe de verre, c.1936
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Sarah Moon, Fashion #9 (Yohji Yamamoto), 1997
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Diane Arbus, A Puerto Rican Housewife, NYC, 1963
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Lisette Model, Nice (Flowered Dress), Promenade des Anglais, 1934
The works in I am my own muse leverage the body as a political tool that reclaims gender equality, eroticism and women’s place in art history. Fashion, theater, performance and archival revisions are some of the strategies used to transgress hegemonic visions of the feminine.
Sophie Taeuber-Arp | Diane Arbus | Barbara Astman | Claude Cahun | Michelle Forsyth | Dorothea Lange | Sondra Meszaros | Lisette Model | Sarah Moon
I am my own muse, on view April 30 - June 18, 2022 at Corkin Gallery, brings together the work of women artists who look to themselves and other women as a means of social commentary. Issues of gender, identity, beauty, and fashion are explored over the span of the last century, as contemporary artists are presented alongside pioneers of the photographic art form.
The exhibition examines women’s relationship with the body from formal to conceptual. Spanning self-portraits of Barbara Astman, Michelle Forsyth, and Sophie Taeuber-Arp to staged and altered images of Claude Cahun and Sondra Meszaros, these photographs leverage the body as a political tool that reclaims gender equality, eroticism and women’s place in art history. Fashion, theater, performance and archival revisions are some of the strategies used to transgress hegemonic visions of the feminine. Photographs by Diane Arbus, Dorothea Lange, Lisette Model, and Sarah Moon complete the exhibition.
I am my own muse draws from Oroma Elewa’s paraphrasing of Frida Kahlo – “I am my own muse. I am the subject I know best. The subject I want to know better.”