Art Toronto 2021

October 29-31, 2021

Left wall: Common Accounts and Miles Gertler

Inside: Gina Rorai, The Red Canvas, 2003, oil on canvas, 92 x 78 in.

Frank Mädler, Farbe 5, 2018, analogue colour photograph, unique, 55 x 37 1/2 in.

Miles Gertler, Hair II, 2021, resin, pigment, Bases in Plywood, 4.5 x 4.5 x 8.25 in., Bases 5 x 5 x 3”

Sondra Meszaros, Pink Perch, 2021, Collage on Stonehenge paper, unique, 30 x 22 in.

Grit Schwerdtfeger, Wüste, 2020, Archival pigment print, ed. 2/6 + 1AP, 23.6 x 35.5 in.

Leopold Plotek, Floods, Roses, Rills, 2000, oil on linen, 71 x 37 in.

Thaddeus Holownia, Jolicure Pond, 1996-2004, 20 chromogenic contact prints, 9 x 3.83 ft. installed

Leopold Plotek, The Picabia Collage, 2019, oil on canvas, 50 x 55 in.

Right wall: Virgil Baruchel, baby I can drive my own car, 2018, oil pastel and oil stick on paper, 46 x 59 in.

Peter Campbell, Stream in a Dew Drop, 2021, oil on canvas, 72 x 48 in.

Barbara Astman, Portraits and Conversations with Empty Vessels #77, 2016-19, analogue print, unique, 19 x 28 in.

Peter Campbell, The Trapped Hunter, 2021, oil on canvas, 62 x 50 in.

Michelle Forsyth, Herringbone Jacket #3 and #5, 2021, archival pigment print, Ed. 3, 25 x 25 in.

Grit Schwerdtfeger, Wüste, 2020, Archival pigment print, 23.6 x 35.5 in.

Leopold Plotek, Floods, Roses, Rills, 2000, oil on linen, 71 x 37 in.

Thaddeus Holownia, Jolicure Pond, 1996-2004, 20 chromogenic contact prints, 9 x 3.83 ft. installed

Larry Poons, Falling Away, 2016, Acrylic on canvas, 69 1/2 x 93 1/4 in.

David Urban, The Ecstasy of Young Professor Radio, 2021, oil on canvas, 60 x 48 in.

Leopold Plotek, The Picabia Collage, 2019, oil on canvas, 50 x 55 in.

Horst P. Horst, Paris Flea Market, 1946, platinum/palladium print, 20 x 16 in.

Frank Mädler, Rosa Lila, 2018, Cameraless photograph, unique, 63 1/2 x 46 1/4 in.

Miles Gertler, Hair II, 2021, resin, pigment, Bases in Plywood, 4.5 x 4.5 x 8.25 in., Bases 5 x 5 x 3”

Thaddeus Holownia, Jolicure Pond, 1996-2004, 20 chromogenic contact prints, 9 x 3.83 ft. installed

Lynda Benglis, Shaman II, 2013, glazed ceramic, 14 x 11 x 11 in.

Larry Poons, Sounds Louvin, 2020, acrylic on canvas, 55 3/4 x 76 3/4 in.

Diane Arbus, Two friends in the park, N.Y.C., 1965, gelatin silver print, 14 x 11 in.

outside wall: Virgil Baruchel, baby I can drive my own car, 2018, oil pastel and oil stick on paper, 46 x 59 in.

Peter Campbell, Stream in a Dew Drop, 2021, oil on canvas, 72 x 48 in.

Barbara Astman, Portraits and Conversations with Empty Vessels #77, 2016-19, analogue print, unique, 19 x 28 in.

Peter Campbell, The Trapped Hunter, 2021, oil on canvas, 62 x 50 in.

Michelle Forsyth, Herringbone Jacket #3 and #5, 2021, archival pigment print, 25 x 25 in.

Nupe culture's sculpture, circa 1900.

 

Peter Campbell, Breath Hunter, 2021, oil on panel, 36 x 30 in

Barbara Astman, Portraits and Conversations with Empty Vessels #77, 2016-19, analogue print, unique, 19 x 28 in.

Virgil Baruchel, Might Just as Soon Leave, 2017, nylon paracord and broomstick, 63 x 53 in.

Virgil Baruchel, au repos Flex, 2019, woven paracord, 70 x 37 3/8 in.

Virgil Baruchel, Untitled (Arches), 2020, woven paracord, 38 x 61 in.

Christian Butterfield, Apology flower #8 (across the bay), 2021, acrylic on canvas, 84 x 72 in

Virgil Baruchel, baby I can drive my own car, 2018, oil pastel and oil stick on paper, 46 x 59 in.

Peter Campbell, Stream in a Dew Drop, 2021,oil on canvas, 72 x 48 in.

Barbara Astman, Portraits and Conversations with Empty Vessels #77, 2016-19, analogue print, 19 x 28 in.

Peter Campbell, The Trapped Hunter, 2021, oil on canvas, 62 x 50 in.

Michelle Forsyth, Herringbone Jacket #3 and #5, 2021, archival pigment print, 25 x 25 in.

Virgil Baruchel, prized possession 3, 2017, oil pastel and oil stick on paper, 11 1/2 x 14 1/2 in.

Peter Campbell, Stream in a Dew Drop, 2021, oil on canvas, 72 x 48 in.

Barbara Astman, Portraits and Conversations with Empty Vessels #77, 2016-19, analogue print, 19 x 28 in.

Virgil Baruchel, Untitled (Arches), 2020, woven paracord, 38 x 61 in.

Virgil Baruchel, au repos Flex, 2019, woven paracord, 70 x 37 3/8 in.

Virgil Baruchel, Might Just as Soon Leave, 2017, nylon paracord and broomstick, 63 x 53 in.

Inside: Gina Rorai, The Red Canvas, 2003, oil on canvas, 92 x 78 in.

Miles Gertler, Hair II, 2021, resin, pigment, Bases in Plywood, 4.5 x 4.5 x 8.25 in., Bases 5 x 5 x 3”

Outside wall: Virgil Baruchel, baby I can drive my own car, 2018, oil pastel and oil stick on paper, 46 x 59 in.

Peter Campbell, Stream in a Dew Drop, 2021, oil on canvas, 72 x 48 in.

Barbara Astman, Portraits and Conversations with Empty Vessels #77, 2016-19, analogue print, 19 x 28 in.

Peter Campbell, The Trapped Hunter, 2021, oil on canvas, 62 x 50 in.

Michelle Forsyth, Herringbone Jacket #5 and #3, 2021, archival pigment print, 25 x 25 in.

General installation view, booth B15

Common Accounts, Scaffold for Shorthand Expression, 2021, acrylic, paint, unique structure. Video, Ed. 3, 19 x 13 x 3 in.

Common Accounts, Scaffold for Eternal Smiles, 2021, acrylic, paint, resin, unique structure. Video, Ed. 3, 19 x 13 x 3 in.

Gertler Miles, Lighthouse, series: Seven, 2015, digital inkjet print on cotton paper, 21 1/2 x 21 1/2 in.

Gertler Miles, Superlith, Mothership, 2015, digital inkjet print on cotton paper, 21 1/2 x 21 1/2 in.

On the back: Leopold Plotek, The Picabia Collage, 2019, oil on canvas, 50 x 55 in.

Horst P. Horst, Paris Flea Market, 1946, platinum/palladium print, 20 x 16 in.

Frank Mädler, Rosa Lila, 2018, Cameraless photograph, 63 1/2 x 46 1/4 in.

Constantin Brancusi, Mlle. Pogany I, 1920, Gelatin silver print, 9 1/8 x 6 3/4 in.

André Kertész, Distortion #126, Paris, 1933, gelatin silver print, double weight exhibition print, 9 11/16 x 12 1/4 in.

Brassai, II Sévillane dénudée, series: Transmutations, 1935-6, gelatin silver print mounted on paper, 9 1/4 x 7 in.

Gina Rorai, Pestle and Shore, 2021, oil on canvas, 48 x 60 in.

Constantin Brancusi, Mlle. Pogany I, 1920, Gelatin silver print, 9 1/8 x 6 3/4 in.

André Kertész, Distortion #126, Paris, 1933, gelatin silver print, double weight exhibition print, 9 11/16 x 12 1/4 in.

Brassai, II Sévillane dénudée, series: Transmutations, 1935-6, gelatin silver print mounted on paper, 9 1/4 x 7 in.

Gina Rorai, Pestle and Shore, 2021, oil on canvas, 48 x 60 in.

André Kertész, Distortion #126, Paris, 1933, gelatin silver print, 9 11/16 x 12 1/4 in.

Brassai, II Sévillane dénudée, series: Transmutations, 1935-6, gelatin silver print, 9 1/4 x 7 in.

Gina Rorai, Pestle and Shore, 2021, oil on canvas, 48 x 60 in.

Gina Rorai, The Red Canvas, 2003, oil on canvas, 92 x 78 in.

Frank Mädler, Farbe 5, 2018, analogue colour photograph, 55 x 37 1/2 in.

Sondra Meszaros, Pink Perch, 2021, Collage on Stonehenge paper, 30 x 22 in.

Grit Schwerdtfeger, Wüste, 2020, Archival pigment print, 23.6 x 35.5 in.

Leopold Plotek, Floods, Roses, Rills, 2000, oil on linen, 71 x 37 in.

General installation view, booth B15

Thaddeus Holownia, Jolicure Pond, 1996-2004, 20 chromogenic contact prints, 9 x 3.83 ft. installed

Diane Arbus, Two friends in the park, N.Y.C., 1965, gelatin silver print, 14 x 11 in.

David Urban, The Ecstasy of Young Professor Radio, 2021, oil on canvas, 60 x 48 in.

Irving Penn, Marisa Berenson Nude with Chains, New York, 1970, gelatin silver print, 12 x 15-5/16 in.

Frank Mädler, Mitte-oben rot, 2018, photogram, unique, 71 x 47 1/2 in.

Man Ray, Boule Sans Neige, 1926/1970, objects in resin sphere, mounted on base, 9 . x 6 x 6 in.

André Kertész, Plate B, New York, 1979, Cibachrome Print, 10 x 8 in.

Rosi Maria Di Meglio, Casa d'Ischia, 2019, oil and charcoal on canvas, 10 x 8 in.

Diane Arbus, A very thin man in Central Park, N.Y.C., 1961, gelatin silver print, 14 x 11 in.

Gina Rorai, The Red Canvas, 2003, oil on canvas, 92 x 78 in.

Miles Gertler, Hair II, 2021, resin, pigment, Bases in Plywood, 4.5 x 4.5 x 8.25 in., Bases 5 x 5 x 3”

General installation view, booth 15

General installation view, booth 15

General installation view, booth 15

Frank Mädler, Farbe 5, 2018, analogue colour photograph, unique, 55 x 37 1/2 in.

Sondra Meszaros, Pink Perch, 2021, Collage on Stonehenge paper, 30 x 22 in.

Grit Schwerdtfeger, Wüste, 2020, Archival pigment print, 23.6 x 35.5 in.

General installation view, booth B15

Sondra Meszaros, Pink Perch, 2021, Collage on Stonehenge paper, 30 x 22 in.