Our relationship is beautiful due to the distance features three distinct bodies of work developed by Michelle Forsyth between 2014 and 2020: Footnotes, Knit Wear, and Improvisations.
Forsyth creates sculptures that she translates to photographs, intervening in the process by painting on the photograph. Her sculptures are frequently made from textiles which have a particular meaning. The designs of the textiles are then replicated in the plinths and painted backdrops, creating a collage of multiple repeated patterns that evoke joy and hope.
The work of Michelle Foryth is closely attached to her own memories. Her sculptures tell stories related to her personal life. A piece of a shirt could represent an ex-lover, the pattern of a tablecloth could evoke her relationship with a close friend, a dress she used to wear could tell the story of her personhood before she was diagnosed with early Parkinson's. Since the diagnosis around 10 years ago, the artist has documented the progressive impact of the disease on her body by exploring the creative potential of the tremor in dialogue with the fine motor skills of her hand.
In Footnotes, the sculptures begin with bundles of wrapped fabric containing hidden notes written by the artist. Then, Forsyth creates a kind of totem with formed paper and plinths painted with the textile designs. The final product is a photograph that flattens space to accentuate the planes of colour and pattern.
The diverse actions that go into forming this work, from sewing and building to painting and photographing, represent the artist’s resiliency and creativity in different media.
Forsyth learned the traditions of craft from her mother, a Norwegian immigrant who taught her how to knit and sew while she grew up on a sailboat. The roots from her family's heritage appear in patterns such works as Red Stack with Norwegian pillow and Red stack with pillow.
Red Stack with pillow, 2020
Blue-Grey Stack, 2019
In the centre of each Knit Wear composition, a knitted bundle of fabric sits on a painted wood base with the artist intervening in the image using digital drawing. All of these elements follow the same pattern and colour composition. Forsyth adds a final touch of colour by painting the spacer within the frame.
Knit Wear #6, 2014-2020
Improvisation 2: Green Dress 2, 2020
Improvisations is a series of large format self-portraits by Michelle Forsyth. Forsyth appears here for the first time in her work, wrapped in her patterned creations that celebrate her augmented body. She staged private performances where she donned this new wardrobe with the same painted backdrops as the Footnotes series. The camera focuses on the artist acting out poses that push the limits of what the body can still do. To create the clothes, Forsyth screen prints fine fabric with painted designs. By photographing herself wearing her hand-made clothes, the artist integrates her persona in a visual dichotomy of appearing and disappearing from within the bold patterns.
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Location
7 Tank House Lane
Distillery District
Toronto, ON
M5A 3C4
Gallery Hours
Tuesday - Saturday
10:00am - 6:00pm
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We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.